Joan Freiman
The Maine landscape has had a major influence on my work as it is here in Maine that I began to paint my surroundings, to develop my language that enables me to interpret and communicate on paper and canvas what I see and feel as I daily look about me.
I work directly in the landscape and also in my studio. Though I use the landscape as my source I attempt to transcend the literal interpretation and engage the viewer in seeing something they may see daily in a different way.
Artistic influences are many- among them are Canadian artists Tom Thompson and the Group of Seven, Emily Carr, Marsden Hartley, Charles Burchfield and two of my very early painting teachers- Gustav Trois and Richard C. Ziemann. ~JF
I work directly in the landscape and also in my studio. Though I use the landscape as my source I attempt to transcend the literal interpretation and engage the viewer in seeing something they may see daily in a different way.
Artistic influences are many- among them are Canadian artists Tom Thompson and the Group of Seven, Emily Carr, Marsden Hartley, Charles Burchfield and two of my very early painting teachers- Gustav Trois and Richard C. Ziemann. ~JF
click on smaller images for larger views
"Last of the Blueberries" acrylic on archival paper 12" x 12" image
(17 "square framed) $1,250
"Fall Drive" acrylic on archival paper 12" x 12" (17" square framed) $1,250
"Pink Rocks" acrylic on archival paper 17" x 17" (21" square frame) $1,650
"Big Boulder" acrylic on archival paper 12" x 12" (20" square frame) $1,250
"Rocky Shore, Late Summer" acrylic on archival paper 20" x 20" image, 24" square framed $1,800
"White Boulders" acrylic on archival paper 12" x 12"image, 17" square framed $1,250
"Davis Stream" acrylic on archival paper 12" x 12" image, 20"square framed $1,400