Littlefield Gallery
  • Home-Artists
    • Artists >
      • William Baggett
      • Andre. Benoit
      • Amy Bernhardt
      • Stephanie Berry
      • Don Best
      • Sarah Lightfoot Brundage
      • Laura Petrovitch-Cheney
      • Peter Dransfield
      • Kerry Eaton
      • Rose Edwards
      • Sarah Faragher
      • Joan Freiman
      • Kathleen Galligan
      • Roy Germon
      • James Groleau
      • Joseph Haroutunian
      • Mark Herrington
      • Terry Hilt
      • Chris Huntington
      • Hugh Lassen
      • Victor Leger
      • James Linehan
      • David Little
      • Jeffrey MacDonald
      • Katia Mason
      • Caren-Marie Michel
      • Dan Miller
      • John D. O'Shaughnessy
      • Rachael O'Shaughnessy
      • Amy Pollien
      • Mary Prince
      • Sandra Quinn
      • Alec Richardson
      • Lesia Sochor
      • John Stass
      • Shelley N. Stevens
      • Vasilis Vasili
      • Dan West
      • Barbara J. Zucker
    • Artists
  • 2026 Exhibitions
  • Gallery
  • Littlefield Gallery Sculptor-in-Residence
  • Curating a Collection
  • Contact Us

Laura Petrovich-Cheney
featured with 
Sarah Faragher and Rose Edwards
May 22 -June 21
​Reception Saturday, May 30, 4-6



These vibrant wood sculptures bridge two distinct contemporary craft media—wood and fiber. Following the tradition of quilting, I create colorful sculptures using both traditional and modern patterns. These "wood quilts" address personal and environmental themes, drawing inspiration from feminism and traditional women's arts like needlework, weaving, and quilting. By repurposing discarded materials, I aim to reveal traces of personal histories, identity, and shared humanity. Many of these materials come from homes destroyed by Hurricane Sandy, including my own, and are sourced from discarded domestic items. Through my work, I encourage viewers to reflect on concepts of home, safety, and the environmental impact of our shifting climate. In the spirit of generations of quilters, I transform these meaningful remnants into a fully realized art form, repurposing the past into something enduring.
                                                                                                                         ~Laura Petrovich-Cheney



Picture
"Buttoned Up". repurposed wood construction. 15" x 15". $500 sold
Every alternate square in this work contains a small central block—a sculptural “button” that
pulls the pattern inward and adds depth to the surface. These tiny elements create a steady
visual cadence, balancing the bold color fields with moments of quiet precision. Their repetition
gives the piece a refined architectural quality, while their scale adds intimacy. It’s a
sophisticated interplay of geometry, rhythm, and the subtle pleasure of detail.
Picture
"Front and Center" repurposed wood construction. 20" x 20". $900
This piece is inspired by my well-loved denim shorts, a summer favorite for nearly twenty years. Worn and patched countless times, they symbolize resilience and nostalgia. Their connection to the beach and deep blues of the ocean influenced this artwork, featuring stenciled details that mimic the playful, effortless feel  of mended denim. It celebrates the timeless joy of cherished memories and simple pleasures.




Picture
"Round and Round" repurposed wood construction 15" x 15": $500 sold
​Salvaged wood with original paint, assembled into a concentric pattern that builds through repetition and variation. Arranged in a continuous ring, the composition turns on small shifts and accumulated decisions, framed by half-square triangles that hold and contain the movement.


​

Picture
"Sunkissed" repurposed wood construction 15" x 15" x 1". $500 sold
Sun Kissed captures the quiet radiance of light moving across a landscape. Formed from
salvaged wood, each curved piece becomes a small arc of color—soft yellows, warm corals,
deep blues, and weathered neutrals—echoing the shifting glow of the sun at different moments
of the day. The repeated quarter-circle forms create a gentle rhythm, like sunlight slowly
sweeping across a room. It’s a work that holds warmth, memory, and the subtle beauty of
illumination.

​


Picture
"Keyed In" repurposed wood construction 21.5" x 21.5". $900 sold
Keyed In organizes salvaged wood into a grid that suggests a
functional system—part quilt, part circuitry. Scale shifts
between large and small units create a steady rhythm across
the surface. A single keyhole fragment remains, marking a
point of access within an otherwise closed structure.​


​

Picture
"The Good Neighbor" repurposed wood construction 30" x 30" $4,500
This work explores the moment when two lives intersect—one house in crisis, another offering presence and support. Built from salvaged wood gathered from communities marked by upheaval, the paired houses embody resilience and the quiet strength of human connection. Together, they become a reminder that even small gestures of care can bring light into difficult moments.


​


Picture
"Migration" repurposed wood construction. 21.5 x 21.5. $900 sold

In Migration, the geometry of the Flying Geese block becomes a
study in subtle movement. Reclaimed wood
fragments—already marked by use and age—are arranged into
a steady, directional flow. The muted colors and careful
construction hold the work in balance, where motion is felt
through accumulation rather than force.​

​

​


Picture
"Seaglass Dreams". repurposed wood construction. 30" x 30". $4,500

Sea glass teaches us that beauty can rise from brokenness—that time, pressure, and movement can transform flaws into something luminous. That same quiet resilience is at the heart of this piece. Drawing on a coastal palette of fog grey, seafoam green, azure blue, sunshine yellow, and coral red, I arranged salvaged wood into a kaleidoscope-like pattern. The composition echoes the rhythms of the shoreline: fragments reshaped, colors softened, and chaos settling into calm.

​


Picture
"School Uniforms" repurposed wood construction 15" x 15" $500 sold
    This piece, “School Uniforms,” was created in late August, when early sunsets, cooler nights, and the first whisper of turning leaves hint at the shift of seasons. It takes me backto my Catholic school days—wearing a uniform that stayed itchy until October, clearlydesigned by someone with an unusual sense of fashion. The work that bittersweet mix of nostalgia and change, when the carefree days of summer give way to structure and routine.

Picture
"Memories of San Marco" repurposed wood construction 15" x 15". $500
Memories of San Marco is inspired by the intricate Terrazzo flooring of Venice's iconic San Marco Cathedral.
The piece evokes the striking contrast between the cathedral's dark, quiet interior and the brilliant light reflecting off the canal water outside-its surface shimmering and sparkling like scattered gems. This fleeting interplay of shadow and light left a lasting impression, captured here in the form of texture.
​

​
​
Click here to view Laura's CV
Hurricane Sandy "Quilts"
Laura's Demonstration at the Detroit Institute of Art
Season 18 starts May 22, 2026
Open daily 11-4:30 from May 22 - October 14 and year 'round by appointment
call 207-963-6005 or text 207-838-4174
email [email protected]

Shipping is always available.
​

   [email protected]   •   207.963.6005  and  207.838.4174 •   145 Main Street   •   PO Box 601   Winter Harbor, Maine 04693
Home     |     Artists     |     Gallery     |     Exhibitions     |     Contact Us 
Copyright © 2013 Littlefield Gallery     Designed by Sean Wolfe, Wolfe Editions